PRESS

Iron Man to Fargo: Behind-the-scenes photos and stories from major movie sets”
By Gary Goldstein
Los Angeles Times
In the Los Angeles Times, Gary Goldstein profiles Moving Still: A Cinematic Life Frame-by-Frame, exploring Lauri Gaffin’s remarkable career and intimate photographs from sets of major Hollywood films.

MOVING STILL Selected Photographs from a Hollywood Set Decorator’s New Monograph
By Lauri Gaffin
The Panafold Fall/Winter 2025
Moving Still is a visual diary of my 35 years as a set decorator for feature films. It’s also, almost accidentally, a chronicle of the emotional life I led while pursuing success in the world of make-believe.

A new photo book takes you behind the scenes of some of cinema's most beloved films, from Fargo to Charlie's Angels
By Anna Solomon
Wallpaper
For more than 40 years, LA-based set decorator Lauri Gaffin has quietly shaped the worlds we see on the silver screen – from the frozen expanses of Fargo to the sun-soaked beaches of Thor. But Gaffin is also a photographer who's turned her lens toward the backgrounds of popular culture.

My beautiful house lay in ruins!: how to build (and wreck) a Hollywood set - in pictures
By Lauri Gaffin
The Guardian
Veteran set decorator Lauri Gaffin has spent a career dressing up films from indie classics to blockbusters. Her new photographic memoir takes us behind the scenes of this ever-changing job – and on the hunt for wolves’ penis bones.

Lauri Gaffin: MOVING STILL: A Cinematic Life Frame-by-Frame
By Aline Smithson
Lenscratch Fine Art Photography Daily
Growing up in Los Angeles, my world was always surrounded by the movie and television industry. My high school was often used a a location for movies and television shows — the final carnival scene in Grease was filmed on my high school football field and many classmates showed up on various sized screens (Leonard DiCaprio was an alumni). One of my first jobs was in a department store on Hollywood and Vine and each night, I’d step out on the sidewalks covered with stars. Needless to say, discovering Lauri Gaffin’s new book, Moving Still, by Damiani Books was a thrill.

The Questionnaire: Lauri Gaffin: Between Memory, Vision, and Truth”
By Carole Schmitz
The Eye of Photography
For Lauri Gaffin, photography is not a matter of chance but of necessity. Born in Los Angeles and shaped by life more than by formal education, she first built worlds of fiction before turning her lens toward reality. Her work as a set decorator for film sharpened her sense of composition, detail, and light elements that, in her hands, are not decoration but revelation.

La Regina Dei Set
By Gianni Poglio
Panorama
Ha trasformato un paesino della California in Asgard, Patria di Thor, ha girato scene di Iron Man tra gli ingegneri di Space X. La scenografa Lauri Gaffin racconta trent’anni di location ideate per il cinema, ora immortalate in un libro fotografico.

Hollywood, l’arte nascosta dietro i film cult: Lauri Gaffin, la donna che costruisce i set e poi li distrugge
By Gianni Poglio
Panorama
Ha trasformato un paesino della California in Asgard, Patria di Thor, ha girato scene di Iron Man tra gli ingegneri di Space X. La scenografa Lauri Gaffin racconta trent’anni di location ideate per il cinema, ora immortalate in un libro fotografico.

Production Design in the 21st Century”
Academy of Motion Pictures Arts & Sciences
Lauri Gaffin speaks about her career and the evolution of production design.

The Secret Life of Sets: Set Decorators at Work”
Academy of Motion Pictures Arts & Sciences
A unique exhibition celebrating the art of contemporary set decoration.

”Pulling Back the Drapes: Set Decoration Revealed”
Academy of Motion Pictures Arts & Sciences
SDSA Set Decorators Society of America
Exhibition highlights the creative work of selected artists.

For Film Set Decorators, Tiny Details Count”
NPR, Morning Edition
By Susan Stamberg
Lauri Gaffin is the set decorator for an upcoming film about artificial intelligence starring Johnny Depp. She's scouting for an iron bed, a big flag, a couch and other items on her list. Assistant set decorator Florence Fellman and lead man Anthony Carlino, at left.

“Once Upon A Pad”
By Barbara Thornburg
Los Angeles Times Magazine
On the movie set of Charlie’s Angeles, a fantasy bachelor hangout with all the comforts of home.

“Back to the Future”
By Jil Peters
Sunset magazine
Feature article on Lauri’s restoration of her modern classic home.

“How ‘Captain Marvel’ nails ‘90s nostalgia in a Blockbuster video store”
By Reed Tucker
New York Post
A nostalgic leap back to 1995, blending superhero origin with meticulous ’90s set recreations—like Blockbuster, dial-up internet, and retro props—to establish the character’s unique place in the Marvel universe.